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Maison Margiela shoes arrive with a reputation problem

Marcus Wright··5 min

Maison Margiela shoes arrive with a reputation problem. The split-toe Tabi has become so ubiquitous in editorial that it reads, to the uninitiated, like costume. The Replica, with its distressed GAT silhouette, looks like it might disintegrate after three wears. The house has built an identity around deconstruction, around the idea that luxury can look worn before you've worn it. That makes people nervous when they're spending four figures on footwear.

Fair enough. But Martin Margiela, who left the house in 2009, was a trained patternmaker before he was a conceptualist. The shoes that bear his name are built on lasts developed in the early nineties, when the brand was making everything in Italy with cobblers who'd worked for Hermès. John Galliano's tenure since 2014 has leaned harder into the theatrical, but the production standards haven't moved. A Tabi boot uses the same Tuscan tanneries as a Berluti oxford. The Replica sole is Margom, the same unit you'll find under Common Projects and Acne. The difference is that Margiela doesn't sand down the rough edges.

What follows are three models I've worn long enough to know whether they hold. Not whether they photograph well, or whether they'll start a conversation at a dinner party. Whether they last.

Tabi Leather Derby

The Tabi boot gets all the attention, but the derby is the more practical entry point. It's cut from smooth calfskin, lined in leather, and built on the split-toe last that Margiela adapted from traditional Japanese footwear in 1988. The toe division is less pronounced than on the boot, which makes it easier to wear with tailoring that isn't trying to make a statement.

I've had a black pair for two years. They've been resoled once, which tells you something about how often I wore them in the first eighteen months. The uppers have held without creasing badly, though the leather has softened in a way that makes them easier to slip on now than they were new. The toe box doesn't collapse, which is the main structural concern with any split-toe shoe. Margiela reinforces it internally, so the division stays crisp even after the leather relaxes.

The sole is leather, not rubber, which means you'll chew through it faster on wet pavement. I replaced mine with a Vibram half-sole, which the cobbler said was straightforward. The welt is Goodyear, so you can resole these indefinitely if you don't let the upper dry out.

Sizing runs true to UK measurement. If you're between sizes, go down. The leather gives.

Replica Low Sneaker

The Replica line mimics German Army Trainers, the canvas-and-suede sneakers that were standard issue in the Bundeswehr and have since become the template for every minimalist trainer from Koio to Oliver Cabell. Margiela's version is more faithful to the original than most, which means it's also more fragile.

The upper is suede and canvas. The sole is Margom rubber, the same unit used by half the luxury sneaker market. The stitching is visible, the toe cap is unlined, and the whole thing weighs about as much as a paperback. It feels, in the hand, like it might not survive a month.

I've had a grey pair for three years. They're still intact, though they no longer look new. The suede has scuffed in the expected places, the canvas has faded unevenly, and the sole has worn down to about half its original thickness. None of this bothers me. The Replica is designed to look better worn, and it does. The problem is that once the sole goes, you're done. Margom units can be replaced, but the upper is so light that most cobblers won't bother. You're paying for a shoe with a fixed lifespan.

That said, three years is longer than I've kept any other trainer. The fit hasn't changed. The insole, which is removable, has compressed but not collapsed. The eyelets are still tight. If you treat these like beaters, they'll die in six months. If you rotate them and keep them dry, they'll outlast your interest in wearing them.

Size up half from your usual UK fitting. The toe box is narrow.

Tabi Leather Boot

This is the one everyone knows. Ankle-height, side zip, split toe. It's been in production since 1989, which makes it older than most of the people photographing it for Instagram. John Galliano has done higher versions, patent versions, versions with painted toes and glitter and god knows what else, but the standard smooth leather boot hasn't changed.

I've had a brown pair for four years. They've been resoled twice, which tells you I wore them harder than the derbies. The leather is thicker than on the low shoe, closer to a work boot than a dress boot, and it's taken a beating without splitting. The zip is YKK, which is the correct choice for anything you'll use daily. The pull tab is reinforced with a leather backing, which stops it tearing away from the boot shaft. These are details you don't notice until you've owned cheaper boots that failed at exactly those points.

The split toe still makes people uncomfortable, which is fine. If you wanted comfortable, you'd have bought Chelseas. The point of the Tabi is that it doesn't resolve into a single aesthetic. You can wear it with a dark suit and look like you're making a point about Japanese craft traditions, or you can wear it with fatigues and look like you shop at Dover Street Market. Either way, the boot itself will outlast the outfit.

The leather sole wears faster at the ball of the foot, which is common with any boot that doesn't have a rubber toplift. I've had both resoles done with a combination leather and rubber sole, which has extended the intervals between repairs. The welt is stitched, not glued, so you can keep resoling until the upper gives out. Given the thickness of the leather, that won't happen soon.

Size true to UK. The boot runs slightly generous, but you want room for a sock.

Keeping Them Alive

Maison Margiela doesn't make indestructible shoes. It makes shoes that age visibly, which means you need to accept that they'll look different in a year. The leather styles take polish and conditioning like any other Goodyear-welted shoe. Use a neutral cream, not a wax, and don't over-condition. The suede and canvas Replicas can't be saved once they're truly dirty, but a suede brush and a damp cloth will get you further than you'd expect.

Store them with shoe trees. The Tabi toe box will curl if you don't. Rotate them. Leather needs rest between wears, and these are no exception. If the sole starts to separate, take them to a cobbler immediately. A stitch in time, etc.

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